Tai Chi Chin
Na
The methods of the chin Na style are used to control a person's
movements. Chin Na, and the Japanese version Jujitsu (developed
from China), are as old as the art of Shuai jiao. In china today
there is still a style called chin Na, but generally speaking,
it is a lost art. The Chen Tai ji Chin Na is a more complete system.
The main reason for this is the fact that behind the Chen village
in Henan province are high mountains and also that it is surrounded
by the Yellow River. In early times it was difficult to traverse
the mountains and one would have to wait for the Yellow River to
subside to be able to enter the Chen village. Therefore, the chen
Tai Ji Chin Na was not as easily dispersed as the style of Chin
Na.
In Chin Na you try to control a part of the body by locking joints
and acupuncture points with methods of grabbing, kneading, poking,
lifting, pressing, and pushing. These methods are also used to
release your opponent's control over you. The purpose of Chin Na
is to control one point, thereby controlling the entire body. A
similar example describing Chin Na would be: if you wanted to control
transportation in an area, you would do so by controlling a seaport,
highways, and railroads, thereby preventing goods from being moved.
When Chen Tai Ji Quan was developed, it
was the first martial art to combine other arts together. One
of the many different arts it combined was ChinNa. The Chen Tai
Ji Chin Na was adopted partially from the famous book titled "The 72 Inner and Outer Grabs," which
was written at the end of the Ming Dynasty. Even up to modern times
Chen Tai Ji Quan push-hand practitioners-used Chin Na. In the chen
village there is a famous saying: "first you lure the opponent,
then dissolve his energy, first use Chin Na, then throw."
In the saying there are four characters which we will explain
further:
1. "Yin" - means to lure the
opponent into a move that is anticipated. This is further broken
down to a negative or positive type lure. The negative is to
provoke the opponent's move. The positive is lure him into throwing
a punch, etc., toward you in a self-defense manner.
2. "Hua" - means to dissolve the energy, making the
opponent's attack miss its destination. It can also mean "capturing" your
opponent's defensive energy as half of your move. In either case,
the feeling is one of creating a "hitting empty" situation.
3. "Na" - locking occurs when
you capture at least two centers and lock them together. Two
extremity centers (e.g., hand/arm - shoulder/back) are most commonly
interrelated to create Na. This is because when the opponent's
back is captured he cannot sink and use the power of earth, i.e.,
stability. At this point, the second meaning of Na is produced,
i.e., uprooting/spiral power. the definition of earth (or stability)
is that the opponent must be able to join his sinkness together
with his breath to produce any power; therefore, if by using
Na, you lock the points together, you have in fact pulled up
his attachment to the earth, i.e., tilting your opponent. The
idea of spiral power comes into play because Na is achieved by
twisting your opponent so that he locks himself.
4. "Fa" - is issuing power.
However, power is never issued: a) if your opponent can fight
back: b) if he is stable; c) if he can issue power to meet your
power. The first three of the four methods, Yin, Hua, Na, are
in fact the manner in which you get the opponent in a situation
not to be able to defend against your issuing of power. The manner
in which the power is issued most commonly is at a right angle
to the direction your opponent is moving.
Chen Style Chin Na is different from other types of Chin Na.
Most other types of Chin Na concentrate on patterned movements
or methods. Chen Tai Ji Chin Na does not use patterned movements.
Chen style Chin na use a small amount of power to overcome a larger
power. When using Chin Na, you should not use brute force. Most
other types of Chin Na have what is known as the grab and lock
techniques. Very few have the same method as the Chen style, which
is: when your opponent locks you, release his lock and apply a
locking technique on him. The Chen style, when training in Chin
Na, works out with this method. By training in this method you
change a losing position (self-defense) into a winning position.
In the Chen style, in the beginning of training, you learn how
to release the opponent's Chin Na and lock him with both hands.
As one becomes more advanced in the skills of the chen style, you
can use one hand or one leg to apply Chin Na. The most advanced
form is using your own energy to feel the opponent's pushing force
on your body, at which time you use this energy without the hands.
In Chen Tai Ji Chin Na, the "Na" syllable
of Chin Na does not necessarily mean to lock; it can also mean
to hold (even hold your own balance). One can even use the legs
to hold an opponent. But this does not mean to grab the legs
with the hands and hold. your legs actually hold your opponent.
Within the movements of Chen Style Chin
Na you must have quietness and softness. Within the softness
you have hardness. When an opponent grabs you, to defend against
his movements, it involves certain types of changing; you cannot
use only strength. Another important characteristic of the Chen
style is the joints (in which you reverse or lock) The second
is locking the nerve points. The third is to lock the small joints
so that when pushing the opponent off balance, he feels pain,
thereby controlling him for longer periods of time. The most
advanced stage of Chin Na is to use minimum power to control
his entire body. In this stage the opponent can be controlled
by just one finger. In the Chen family history, every generation
has had some people highly skilled at the use of Chin Na. One
recent skilled practitioner was the 18th generation Grandmaster
Chen Zhao-Kui. Chen Zhao-Kui was so advanced with the usage of
Chin Na that he could control his opponent's entire body with
just one finger. The Chen Style Chin Na is similar to the push-hand
exercise in that you must have "Ting-Jin" (or feeling),
speed, and soft power. It is also important to know the distance
between you and your opponent, your stance, and the arm, wrist
and finger power. All of these must be precise. When using Chin
Na, The first contact should be soft, then the other movements
can be harder. You must combine hard and soft, not patterned
movements. The Chen Style Chin Na combines hard and soft, just
as one should practice the Chen Tai Ji sets.
In the Chen family village, practitioners
use an old saying while training:" patterns of movements are from the outside, trained
energy is from the inside." One can use the inside and outside
together. By doing so, what you want in your heart (mind) can be
accomplished. In other words, whenever you think of some movement
it will come out. You should have Qiao Jin. Qiao Jin means to have
strength with finesse; not too much, not too little. It means to
use strength to control the opponent without his being aware. You
should understand Qiao Jin (or trained energy), mentioned in the
village saying above, then you can solve the problem or relax your
opponent's Chin Na on him when he attempts to use it, at which
time you can use Chin Na on him. When you have this internal energy,
your opponent cannot release your Chin Na technique.
You cannot use your Chin Na skills well if you do not have a
firm, rooted stance. It is possible to meet an opponent that has,
to some degree, Qiao Jin. At this time the opponent may change
his center of power. With this in mind all you have to do is hold
that point of the center of gravity and focus on it so that the
opponent will fall down. On the other hand of the opponent does
possess Qiao Jin and a firm stance you may fall down. To possess
Qiao Jin you must use the sticking, luring, borrowing, and throwing
energies. These different energies will be discussed in future
articles on Chen style Chin Na, as well as article on Chen Tai
Ji Quan. |